Terrorisme intellectuel

terrorisme intellectuel


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This video is the first one to be produced by Art-Act. Defined as a manifesto, a clearly expressed stand, a formal and theoretical bias face to the art, this video plays with irony on certain visual codes peculiar to the claiming videos. The cowl, the random light, the centring and static shot contribute to a particular aesthetic. Moreover, the young protagonist, dressed in an attractive dress, lets at the same time show through her femininity and shyness, looking sometimes examiners and letting us detect her emotion diction.
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Intellectual Terrorism.

To whom belongs the public space ? We should be abble to say “to people, in its ensemble”. Personally, I would answer that it is anyway inhabited by media. It is them which distribute and frame the modes of visibility and legitimize the so-called “public interest”. But, media have become promotional relays, and the artist’s word in public space is not referential. In marketing language, an artist isn’t a purchasing adviser, he doesn’t make promotion.

Besides his image, the artist can propose sense, sensible, symbolic.
But this field has been occupied by publicists and advertisers to a lucrative end.
Art leads to thought by the symbolic and sense force. Visual communication inhibits a critical thinking.
One definition of violence may be the manipulation in sort of bringing an opinion to be shared with no open interpretation. By substituting one of the possible parts of art, the emotion creative break the complementarity between the critical and the sensible.

The question is how to reintegrate this space in sort of playing the political part of the artist ?
For my concern, I’ll choose the informational flux subversion by make it wary : that is to say to subvert the symbolic perverted. This by reporting the treatment of the information perception and its impact on society ; by questioning the moral, sensible and political consciences opposite to the notions of responsibility and guiltiness ; by trying to understand the mechanism of action and reaction through their presence or absence ; by highlighting through subversion the lacks : lack of information, lack of analyses, lack of critique, and telltale blanks as slip up.
To carry this out I choose TV news subversion by using montage, substitution and off-setting to disrupt a blind trust and unlegitimize the homogenization in the favor of a critical thinking. To confront consciousness to information or lack of information through manifestations in public space, as performance, tracts and flyers handing out, or video screening on mobile support like scalpers.

What I want is bringing people to more autonomy and less automatism.
What I want is bringing them questioning what make them act or not.
What I want is that each one take the responsibility face to the world we’re living in.

Art cannot change the world. It is the experiences it produces on its public which lead to the ideas development and exchanges.
It is not me or my image or even my function of artist which can influence, but my ideas carried out through the symbolic experience.

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